简介：讲述两个同父异母的兄弟，他们被养父抚养长大后终团聚。当他们其中一个发现生父仅剩几个月生命时，他决定和犯罪组织达成危险的协议，而这更将他和兄弟置于危险境地。

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Izzy是一个活泼可爱的9岁小女孩。因为安排失误，工作繁忙，她的父母没法及时在圣诞节假期开始前接她回家。一场暴风雪让事情变得更加复杂起来，留在学校的她要如何面对入侵的坏蛋和糟糕的天气呢？Izzy的决定将改变这一天...

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Sparks fly when a greeting card executive arrives in Santa Fe to acquire a tight-knit family company that creates ornaments inspired by Mexican Christmas traditions.

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少年梅森极力想要找回失去的双胞胎兄弟。长期缺席的大姐梅根也回到家中，不再想隐瞒真相。可是笃信宗教的祖母和父母却试图维持正常的生活。当一个意想不到的陌生人詹姆森到来时，全家人不得不重新面对关于米切尔之死的秘密和谎言……

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简介：

一名受保护的高中女橄榄球运动员在球场内外与性别歧视、兄弟姐妹竞争和自我接受作斗争。虽然莱利·布鲁克斯在校队重新加入球队并努力赢得学校几十年来的第一个冠军，但她与秘密恋人、女性化母亲和不断变化的男性队友的复杂关系证明更具挑战性。—杰德·理查德·克雷文

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讲述了有强迫症的男主角奥尔森（乔恩·哈姆 饰）发现了一个秘密房间的故事。

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简介：一个寂寞的男人无意间拿到了一份万圣节派对的请柬，他欣喜赴约，结果穿越布鲁克林区，到达最终目的地后，他才发现原来自己被一伙流氓算计了，后者正想为了所谓的“艺术”，拿他开刀呢。

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讲述极富魅力的同性恋民权活动家贝亚·鲁斯丁克服重重阻碍，通过组织1963年的华盛顿大游行，改变了美国历史进程的故事。

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格雷厄姆（罗比·阿梅尔 饰）打算圣诞节回小镇给家人一个惊喜，结果发现他的前未婚妻艾莉（莉顿·梅斯特 饰）已经在和家人一起庆祝圣诞节了。

简介：Another of Mike Leigh's efforts in the Play for Today series. Home Sweet Home is the he tragic-comic tale of a lonely postman, the social workers who chivvy him about his estranged teenage daughter, and his secret affairs with the wives of his fellow postmen. "Though the social and economic situations of Leigh's characters are invariably specified, they are not determinative. In his view, institutions don't cause our problems and institutions cannot solve them. Nothing beyond the structure of our own thoughts and emotions can be blamed for our predicament and nothing outside of ourselves can remedy it. The poorest of Leigh's characters could win the lottery, or the richest be forced out onto the streets, without their basic dramatic problems changing. One only has to compare Ken Loach's Ladybird, Ladybird with Leigh's Home Sweet Home or his short, Probation, for the difference between the two viewpoints to be clear. Whereas Loach mounts an institutional critique, the social systems and bureaucracies in Leigh's work are only individuals writ large. Home Sweet Home dramatizes the relationship of two social workers, Dave and Melody, to a client, Stan, and his daughter Tina, but for Leigh the social workers are ultimately just messed-up people. One might say that while Loach looks at the effect, Leigh studies the cause. Loach studies bureaucracies; Leigh examines the individual qualities that make bureaucracies the way they are. The main characters in Ladybird, Ladybird are victims of a social agency's depersonalizing understandings. Leigh refuses to make Stan and Tina victims of anybody or anything. Home Sweet Home makes clear that, even if all of the social workers were to disappear from the universe, Stan and Tina's relationship would not improve one whit (and in fact would very likely get worse, since in the absence of a pushy, intrusive, boorish Melody, Tina would get no visits or trips home at all). There is an ultimate fairness in Leigh's view of life. We get what we are. Nothing is inflicted on us (just as nothing outside of ourselves can save us). We create our own problems and we ourselves must solve them. It would be hard to imagine a view of experience more at odds with the blame-games played by most cultural studies critics. Leigh's characters can never blame anything or anyone–least of all "the system." External forces (figured by ever fashionable ideological concepts like "power," "gender," and "class") have no ultimate authority over what we are. We are responsible for our own fates. The enemy, if there is an enemy, is inside. Odd as it may sound to say it, the writers on cultural studies and neo-Marxist filmmakers like Loach are actually more optimistic than Leigh, for while the social-work bureaucracy (Loach's target) may conceivably be reformed, the human heart and mind (Leigh's subjects) are all too deplorably (and exultantly) what they are for all eternity. I would argue that the institutional critique is in fact the simpler, more superficial, and more naive way of understanding these situations. The labyrinths of the human heart are far more tortuous and Byzantine than the corridors of power that constitute the welfare system. The bureaucracies of the imagination are far subtler and more insidious than those of any man-made institution. And if you say you don't see that or don't understand how that could possibly be, why that is precisely what a work like Home Sweet Home exists to show...." –Excerpted from Ray Carney, "The Films of Mike Leigh: Embracing the World "

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在失去了梦中情人后，梅林搬到拉斯维加斯从事魔术师的工作，结果却被雇佣为臭名昭著的黑人脱衣舞女“巧克力片”的代言人。在路德的带领下——现在是一个一条腿的醉汉——这些被驯化的、变形的老筹码抛开了以前的冲突，重新聚在一起，拯救了他们曾经演出过的酒店，同时帮助梅林赢回了他的女孩。

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Par une froide journée d’hiver de 1940, le petit Jules emménage avec sa famille chez son oncle Jovite, maire d’un village dans le nord du Québec. À cause d’une maladie rare dont il est atteint, il se retrouve rapidement banni de l’école. Son chien Flagrant devient alors son seul ami. Mais lorsque ce dernier se sauve dans la forêt, Jules n’a d’autre choix que de s’y aventurer pour le retrouver. En chemin, il fait la rencontre d’Asha, une mystérieuse petite fille qui lui assure que sa mère pourrait le guérir complètement de son mal. Le problème, c’est qu’elle ne sait pas où elle est. Ensemble, ils décident de partir à sa recherche, mais ce qu’il y a à l’autre bout de la forêt n’est pas ce qu’ils s’étaient imaginé.

简介：影片讲述生活在湖心岛的小龙虾虾宝为了寻找“真元”在外历练，得知湖心岛被以蝗爷为首的蝗虫大军占领、师父下落不明，众师兄被抓后，毅然反抗并最终理解什么是真元而打败蝗爷的冒险故事。

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简介：

1914年，一名英国军官和他的传教士侄女在危险的东非地形上跋涉，遭到敌方原住民的追赶，目的是阻止他们到达遥远的哨所

简介：12岁的小女孩乔治亚失去了母亲独自过日子，从未出现的父亲突然闯入她的生活。1994年出生的导演夏洛特·里根自编自导的长片处女作，她镜头下年幼丧母的小女孩不再是可怜兮兮的社会批判题材主角形象，而是个古灵精怪充满幻想的小“社牛”，一向以炫酷帅哥形象出现的哈里斯·迪金森（《悲情三角》）饰演父亲，两人将一出父女重逢后相互慰藉、走出悲恸的戏码演绎得轻松无厘头又不失温情。荣获2023年圣丹斯电影节世界电影剧情片单元评审团大奖、入围2023年北京国际电影节主竞赛单元。

简介：导演Cal Brunker回归，小狗狗们组成的汪汪队将继续出击，拯救城市。第二部中会有一颗神奇的流星来袭，让汪汪队成员都有了超能力，而韩丁那市长依然在搞事情……

简介：海蟹游客与泽西海岸的陆地蟹镇民发生冲突。

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蒙召后，亚伯拉罕踏上献祭其子的三日试炼。

简介：讲述一名年轻的充满异域风情的舞者同意与一名妓女、她的男友和一名皮条客一起踏上前往弗罗里达的旅行，在途中，她收获到了比想象中更多的东西。

简介：电影《云雀》讲述了主人公田文（丁海峰饰）放弃了优越的生活回乡支教，与来自城里的年轻教师徐欣（于莎莎饰），共同点亮了山村贫穷儿童生活学习的希望，通过三代教育人的初心和传承，展现了扎根山村教育事业的教师群像，反映了他们甘为烛泪照亮别人的高尚品德和奉献精神......

简介：据《好莱坞报道者》的最新消息，电影版GT赛车的制作团队已经初具雏形，《守望者》编剧亚历克斯•谢被选中操刀剧本，剧情将围绕真实比赛展开，选手可以像游戏中的玩家一样，根据喜好选装自己的赛车参加比赛。制片人布努内蒂谈到剧情说：“很多人都很好奇，‘你们到底怎么把模拟赛车游戏改编成一部电影？’实际上，影片的故事就是他们在网上展开的比赛，主办方从2.5万在线选手中选出22人进入银石赛道，看他们能否完成从虚拟到现实的转变。选手们要在驾校接受体力、脑力和技术方面的艰苦训练，决出最佳赛车手。进入决赛的两名选手将在迪拜展开24小时的赛车对决。我们的电影是一个实现愿望的幻想故事，让操作游戏机的主人公驾驶真正的赛车享受在赛道上极速飞驰的感觉。